39/23
Based on the comic strip "Here" by Richard McGuire
A generational story about families and the special place they inhabit, sharing love, loss, laughter and life.. It was first published as a comic strip in the comic magazine "Raw" in 1989, and was expanded into a 300-page graphic novel in 2014.. At one point early in the film, Richard’s father names several towns that he claims are along the Pennsylvania Turnpike, when in fact they are all the towns along Interstate 80 in PA, which had not yet been built at the time.. [from the trailer] Richard: You know, if you want, you could spend the rest of the night here.Margaret: I could spend the rest of my life here..
Features They Stooge to Conga (1943)
Clarinet Concerto, stanzas 1 and 2 Written by Artie Shaw Performed by Artie Shaw and his orchestra Courtesy of RCA Records By arrangement with Sony Music Entertainment. Man, whatever happened to Robert Zemeckis. In the past, Zemeckis created classic works such as "Forrest Gump, the Back to the Future trilogy, Who Framed Roger Rabbit, The Polar Express" and many other great works that I grew up with. However, after the Walk, his works were underwhelming and underwhelming to say the least.
The concept of the camera staying in one place and the narrative seems ambitious and creative
This film has a really ambitious and intriguing concept, but unfortunately, despite some solid and interesting moments, Zemeckis fails to properly experiment with the concept and ends up being tiresome and unsatisfying. With topics that are interesting and could be innovative in research, but Zemeckis' the direction and the film’s lack of emotional depth ruin what could have been a good film. Filled with bloated plot lines, unbalanced structure, and characters that aren’t fully developed, the emotional weight and engagement becomes more than a snooze fest. It’s almost as if Zemeckis saw The Tree of Life but somehow missed what made The Tree of Life amazing and made this mediocre and more boring.
With some rough dialogue and pacing issues
The production design and camera work are really good, with the use of CGI face replacement that’s pretty solid with the colors and movement. All the performances are good because it’s nice to see Tom Hanks and Robin Wright together again because they have good chemistry and scenes together. But it falls short because of a sloppy and stilted approach that doesn’t really justify it. Robert Zemeckis will always be one of my favorite directors.
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I grew up with him during his childhood, but unfortunately, his best years are long, long behind him.
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